Стилистическое использование нейтральных слов,принадлежащих к особым лексическим словам на примере произведения Мартин Иден "Джек Лондон"

Fiction is any form of narrative which deals, in part or in whole, with events that are not factual, but rather, imaginary and invented by its authors. Although fiction often describes a major branch of literary work, it is also applied to theatrical, cinematic, and musical work. In contrast to this is non-fiction, which deals exclusively in factual events.
The aim of this work is to find the stylistic functions role of neutral words in the fiction.
The object of the work is neutral vocabulary.
The subject is the stylistic function of the neutral vocabulary, namely its stylistic function in the fiction.
So, the tasks of the work are:
1. To characterize the English lexicology and neutral vocabulary.
2. To reveal the features of the stylistic function.
3. To make the practical research of the fiction.
The practical material in our work is the novel of Jack London “Martin Eden”.
John Griffith "Jack" London (bo
John Griffith Chaney, January 12, 1876 – November 22, 1916) was an American author, jou
alist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. He is best remembered as the author of White Fang and Call of the Wild, set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf.
London was a passionate advocate of unionization, socialism, and the rights of workers and wrote several powerful works dealing with these topics such as his dystopian novel, The Iron Heel and his non-fiction exposé.

Like other linguistic disciplines stylistics deals with the lexical, grammatical, phonetic and phraseological data of the language. However there is a distinctive difference between stylistics and the other linguistic subjects. Stylistics does not study or describe separate linguistic units like phonemes or words or clauses as such. It studies their stylistic/unction. Stylistics is interested in the expressive potential of these units and their interaction in a text. Stylistics focuses on the expressive properties of linguistic units, their functioning and interaction in conveying ideas and emotions in a certain text or communicative context. Stylistics interprets the opposition or clash between the contextual meaning of a word and its denotative meaning.
Lexicology can study the development of the vocabulary, the origin of words and word-groups, their semantic relations and the development of their sound form and meaning. In this case it is called historical lexicology.
The lexical meaning of a word is the realization of a notion by means of a definite language system. A word is a language unit, while a notion is a unit of thinking. A notion cannot exist without a word expressing it in the language, but there are words which do not express any notion but have a lexical meaning. Interjections express emotions but not notions, but they have lexical meanings.
Semantical relations between words are manifested in respect of homonymy antonymy, paronymy, etc. Semantics usually involved in lexicological work is called lexical semantics. Lexical semantics is somewhat different from other linguistic types of semantics like phrase semantics, semantics of sentence, and text semantics, as they take the notion of meaning in much broader sense. There are outside (although sometimes related to) linguistics types of semantics like cultural semantics and computational semantics.
Among semantics of language, lexical semantics is most robust, and to some extend the phrase...